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The String Quartets, Op. 50 (Hob. III/44-49, L. 36-41), were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the ''Prussian Quartets''. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982. Each of the six quartets in the set has four movements, and in each case the movements are ordered in a conventional fast–slow–minuet–fast sequence. The set was Haydn's first complete set of quartets since the Opus 33 set of 1781. While the Opus 33 set was apt for broad public consumption, the Opus 50 set is more serious and experimental. It is perhaps because of the Opus 50's intellectual character that other sets among Haydn's mature quartets have received more attention from performers. ==History== Haydn conceived of what became Opus 50 set in a letter to the publishing house Artaria in 1784, although he then put the project on hold for the Paris symphonies and ''The Seven Last Words of Christ''. He started work in 1787, composing the first two quartets in February. In April, Haydn received a letter from King Frederick William II of Prussia, praising Haydn for the copies of the Paris symphonies that he had sent. The letter enclosed a golden ring. Haydn sought to return the favour by dedicating the Opus 50 set to the King, and Artaria acceded to Haydn's request to do so. The history of the publication of Opus 50 set betrays one of the more remarkable examples of Haydn's financial and commercial impropriety. Haydn hurriedly completed the set by September 1787, when he sent the fifth quartet to Artaria. Meanwhile, in August, he had offered the set to the English publisher William Forster, who duly printed the six quartets before Artaria did. Haydn was deceiving both publishers: the offer to Forster was unbeknown to Artaria, while Haydn misled Forster into believing that no-one else had been offered the set. Artaria learned of the Forster deal but published the set anyway, in December 1787, as Haydn's Opus 50. In 1982, the original autograph manuscripts of the Nos. 3 to 6 of the set were discovered at a festival arranged in Melbourne, Australia, for the 250th anniversary of Haydn's birth. After a concert at the festival, the manuscripts were presented in a plastic shopping bag to the conductor Christopher Hogwood. The Haydn scholar Georg Feder, who was visiting Australia at the time, then verified the scores to be the authentic original manuscripts of the four quartets. It emerged that the woman who presented the manuscripts to Hogwood had inherited them, through successive generations, from an English colonel who had purchased them at an 1851 auction before emigrating to New Zealand. The colonel's heirs were evidently unaware that they owned the only original versions of the quartets in Haydn's pen. Until the 1982 discovery, publishers had been working from incomplete or non-original editions.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「String Quartets, Op. 50 (Haydn)」の詳細全文を読む スポンサード リンク
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